6 Plays and Musicals to See on Broadway Right Now

By Anna Breuer on 16 September 2019
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Our guide to Broadway shows including a major revival and six new shows that are at theaters on the Great White Way.

Here are theater co-critics’ recommendations for six musicals and plays on the Great White Way, in alphabetical order, with excerpts from their reviews.

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Winter Garden Theater

There’s a second phantom on Broadway now.  The new musical, based on the 1988 Tim Burton film, haunts and delights theatergoers at the Winter Garden Theater.  Alex Brightman’s ghoul wreaks havoc amongst the living and the dead, and is true to the beloved character in the movie.

The Disney World Haunted Mansion-like set, ostensibly a middle-class home, is inhabited by Leslie Kritzer as Delia Deetz, a life coach, and Sophia Anne Caruso as the death-obsessed Lydia Deetz, along with Tony nominees Rob McClure and Kerry Butler as Adam and Barbara Maitland.

Expect sensory overload as well as non-stop action and the morbid one-liners (some good, some just ok) are virtually non-stop.

The cast of "Hadestown" on Broadway

The cast of “Hadestown” on Broadway

Walter Kerr Theater

“Hadestown,” which swept the Outer Critics Circle and Tony awards, is a new twist on several ancient myths about going to hell.

In “Hadestown,” Orpheus (Reeve Carney) and Eurydice (Eve Noblezada) cross paths when Hades (Patrick Page, reminiscent of Karl Lagerfeld in a long black trench coat and sunglasses) abducts Eurydice whilst Persephone (Amber Gray) is on Earth.

The setting is now a Great Depression-inspired post Apocalypse, something the three Fates describe in the show’s opening number, “Any Way the Wind Blows.” Hermes (yes, he’s crept into this upside down legend, too), played by the rather formidable André De Shields, nattily attired in a shiny silver suit, introduces each character in “Road to Hell,” where he invites theatergoers to “Ride that train to the end of the line,” an offer no one refuses for the next three hours.


Al Hirschfeld Theatre

The opulent stage adaptation of the Baz Luhrmann movie arrived at the Al Hirschfeld Theatre after a world premiere in Boston last year. The musical, which boasts a wide spectrum of pop songs from the 1980s to the present, stars Danny Burstein as Harold Zidler, Tony winner Olivo as Satine alongside Aaron Tveit as Christian.

The almost phantasmagorical set serves as a pleasure palace from which it seems that fragments of almost every pop song to ever hit the charts, not to mention some fireworks and confetti to heighten the high you’ll get by seeing it.

Shubert Theater

Harper Lee’s Pulitzer Prize winning and controversial 1960 novel, “To Kill a Mockingbird” – a book that tackles the difficult topic of race in America as well as class, courage, and values – has largely withstood the test of time and book bans over almost seven decades.

To bring “Mockingbird” to the Broadway stage of the late 2010s, however, somewhat of a renovation was required: a reworking significant enough that the estate of Harper Lee sued the production for having deviated too much from the original version.

The story remains that of Atticus Finch (Jeff Daniels), a white lawyer who defends a black man falsely accused of rape by a white woman in the Deep South. Atticus remains Maycomb’s moral compass but he is clearly conflicted over that role.


Marquis Theater

“Tootsie,” a new musical comedy based on the classic 1982 Sydney Pollack film of the same name, will be instantly familiar to those who enjoyed the movie, although, 30 years later, it plays out quite differently.

The cast is led by Santino Fontana filling the high heelsof Dustin Hoffman, who originated the role in the movie, as Michael Dorsey/Dorothy Michaels. Dorsey is a New York actor who can’t get a callback due to his reputation of being difficult. He finds success after rebranding himself as Dorothy Michaels, a rather gracious and easy-to-get-along-with Southern lady who sounds ready to bake a pecan pie or two. Dorothy (née Michael) immediately gets cast in a really awful Broadway musical (in the movie, it’s a really bad soap opera) and comedy and engaging songs ensue.

Stage 42

The Yiddish language production of “Fiddler” brings with it the great authenticity that seeing and hearing Tevye, Golde, Yente, and the other denizens of Anatevke speak Yiddish, the original language of the characters, as well as the same extraordinary moving experience that harkens back to Sholem Aleichem’s original stories (written in the mama loshen, as Yiddish is often referred to).

It merits an honorable mention in this story because it is at an off-Broadway house, Stage 42, although theatergoers get a Broadway-quality production.

Don’t speak Yiddish? Not to worry as there is no language barrier: the supertitled translations are excellent.  Steven Skybell’s Tevye continues to channel Theodore Bikel (the well-known Austrian-American actor who played the role more times than any other). The same goes for Jennifer Babiak, who is a stoic and dignified Golde, having taken over the role several months into the run at the Folksbiene.

Jackie Hoffman continues to conjure her Molly Picon as an understated but hysterical Yente the Matchmaker and Cameron Johnson as Fyedke is a standout for both his vocal talent and his dance moves.

Jonathan Spira and Blaise Buckley contributed to this story.

(Photo: Accura Media Group)

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